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New Releases: Kiss Kiss Bang Bang – (2005)

New Releases: Kiss Kiss Bang Bang - (2005) Genre: Action, Comedy, Crime, Mystery, Thriller, Release Date: 2013-03-18 ...

 

New Releases: Kiss Kiss Bang Bang – (2005)

New Releases: Kiss Kiss Bang Bang - (2005)
Genre: Action, Comedy, Crime, Mystery, Thriller,
Release Date: 2013-03-18
Duration: 103 Min
Director:

  • Shane Black

The movie opens in flashback to about 1980 at a fair in Indiana of some sort with pie eating contests, etc. The camera settles on a boy magician named “Harry the Great”, who is about to perform a trick when he saw’s a girl in a box in half with a chainsaw. Midway, the girl lets loose with a series of piercing screams, panicking the audience and some nearby adults who rush up and open the box. The girl was just pretending to be hurt and smiles up at the adult man professing “I’m going to be an actress” before he slaps her.

The movie cuts to a generic Hollywood beautiful person party where we see Harry (Robert Downey Jr.), fully but shabbily clothed, intentionally teetering at the edge of a pool full of bikini clad women. At this point the narrator (Harry) introduces himself and apologizes, somewhat defensively, for not being very good. “Do you see any other narrators?” he asks. (The movie repeatedly revisits the idea that the narrator isn’t a trustworthy source. The symbolism is that the pool represents the Hollywood lifestyle and he’s trying to decide whether to jump in or not). He (as the narrator) asks us if we want to know how he got here.

We now cut to a small toy store late at night. Two thieves are rummaging around. One of them, Harry, is on the phone with his niece as she describes the action figure (“CyberCop”) she wants for Christmas. Harry pretends that the store is open and he’s on a regular shopping expedition, but his niece isn’t buying it (it’s too late at night). A large UPS truck drives by, jostling the wiring on the jury rigged alarm and setting it off. The two run out the back door and into an alley, where they are fired upon by a woman on a fire escape. Harry’s partner is hit, but Harry escapes on foot as the police approach. He runs from alley to alley until he encounters a milling group of men who are all dressed in dark thiefish clothing like himself. He runs up a stairway and crashes into a room with 3 or 4 people sitting around a desk. A woman tells him they’re not ready for him yet, but another man, a Larry Miller-ish casting agent (played by – who else – Larry Miller), tells him to go ahead and hands him a script. It’s from some sort of hard boiled crime thriller in which the main character is being berated for allowing his partner to be killed. Harry stumbles through it for a couple of lines before the similarity to his current situation gets to be too much and he loses it, throwing a chair and putting his head on the lap of one of the casting agents and begging forgiveness. At this moment a cop bursts through the door, before apologising for interrupting and ducking back out. Larry Miller says he’s found what he’s looking for and hires Harry for the part suspiciously quickly – his motives become clear much later…

Meanwhile, back at the party, a woman (Michelle Monaghan) named Harmony is introduced by the narrator, who dips a little into her back story through a few brief flashbacks – noting that she is from a small town, likes reading a crime series about a detective called “Johnny Gossamer”, and alluding to the fact that their father may have sexually abused her sister Jenna. The narrator then realizes that he isn’t explaining how she got to the party, which he then goes into, the reason involving an actor fro ma cancelled tv show about a robot who drunkenly broke int oher house in his costume. Long story short, she gets invited to the party, where she is seen going over the bookshelves in the house until she finds some copies of the same old paperback detective series – “Johnny Gossamer”. She hugs them tenderly, reads from them for a bit and then passes out on a table. A sleazy man enters and, seeing her unconscious – starts to poke around in her underthings before Harry walks in. Harry tries to intervene but ends up being beaten to a pulp – reflecting he never was very good at fighting. After the man walks away, Gay Perry (Val Kilmer) helps Harry up. He tells Harry he’s a high end private detective who’s been hired by the films producers to train Harry in the ways of private detecting. He takes him into the bathroom and helps him clean up. Harlan Dexter (Corbin Bernsen) pokes his head in and introduces his daughter, who is getting ready to cut her birthday cake. She has apparently been in Europe for many years and threatening to sue her father over her deceased mother’s money, but they’ve patched things up and are all nicey-nicey.

Gay Perry is getting ready to leave the party when Harry asks him about the woman. Perry recognises her and recommends Harry go to the Domino bar, which he does.

Harry shows up at the club and walks past the doorman without being hassled. He encounters a woman named Flicka (Angela Lindvall) has a brief conversation (she tells him she’s a stewardess, he lies and tells her he’s a PI (important later).It takes about an hour. The woman from the party is sitting at the bar. Harry sits next to her and launches into conversation. They flirt a little bit with her suggesting Harry take up with the woman across the bar who’s 35 and still attempting to act. Harry asks her how old she is and she says she’s 34. Harry starts to walk away after a little banter, but she calls him back. She can’t believe he doesn’t recognize her. She’s his childhood friend Harmony (the girl being sawed in half at the beginning of the movie by young magician Harry). Harmony’s friend shows up and becomes very hostile – trying to drive Harry off. Harmony calms her down and Harmony and Harry head to a table.

Harmony describes growing up in Indiana parallel to Harry. She was turned onto the Johnny Gossamer books by reading them to her invalid mother. Her father was a child molester who abused her younger sister while she stood helplessly by. She compensated by sleeping with everybody in high school except Harry, who was her best friend and Harry’s best friend because he asked he not to. As soon as she could, she escaped to Hollywood to be a star, but the only work she’s gotten is as a European milkmaid in a cheesy beer commercial with a CGI bear. Harry asks if she wants to come back to his place and, to show he has good intentions, suggests she bring he hostile friend with her.

Harry wakes up the next morning with a girl in his bed. He thinks its Harmony, but is shocked to find out it’s her hostile friend instead. He runs to Harmony’s place and apologizes profusely at her door. She’s initially pissed, but somewhat mollified as he goes.

Perry and Harry are heading out to a stake out. Gay Perry says that he’s gotten a commission from a woman named Allison Ames that he has only spoken to over the phone – to stake a place out and record anything that happens. Harry and Perry drive down a windy dirt road to a woodsy house and hide behind a woodpile with a video camera . Someone comes out of the house in a ski mask, gets in an old beater car and drives off. Harry and Perry follow them. They seem to lose him and stop by a pond next to a low ridge to get their bearings. As they look around, the beater car comes shooting airborne over the ridge and lands in the pond. Harry jumps into the water to save the driver as Perry says no one was in the car. Harry persists, and finally Perry dives in the water emerging holding a body. It’s a woman in a sundress – she’s dead with a broken neck. They drop her on the sand. Harry notices she has no underwear (plot point). Perry says they need to cover this up like they were never there. Harry “helpfully” throws Perry’s gun into the water. Perry points out that that was a custom ceramic gun given to him by his mother and it’s very traceable. He then smacks Harry in the nose with a briefcase. Two figures in ski masks appear on top of the ridge and shout at them before taking off.

Perry drives Harry back to Harry’s hotel. As he drops him off and Harry is walking away, Perry returns with Harry’s ringing cell phone that was left in the car. Giving it to him and they both listen as Harry answers. It’s the police asking him if he knew of Harmony because her body needs to be identified before being ruled as suicide. Harry is left heartbroken and goes back to his hotel room to drown his sorrows when there’s a knock at the door. It’s Harmony, somehow alive. Turns out her younger sister has come to town, stolen her credit cards, maxed them out (00 to an unspecified party) and then committed suicide; which explains the mistaken call; as the police initially identified the sister as Harmony herself.. She’s distraught and wants to talk to Harry since she thinks he’s a private detective (Flicka told her). She eventually badgers Harry into investigating her sister’s murder (she doesn’t believe it was suicide) and then faints – it seems Harry agrees so he can spend more time with Harmony in much the way he would get a kick out of her crying on his shoulder when she was upset as a teenager.

She eventually wakes up again and leaves as Harry heads to the loo. The bathroom is long and deep with the toilet on the far end, a bathtub to the left of the toilet and a towel closet to the right of the toilet. Harry is relieving himself standing up when something on the left catches his eye. He turns to look without interrupting the stream and winds up covering the corpse from the trunk with pee. Someone’s stashed it in his bathroom. He crawls into the towel closet and calls Perry. Perry says that it’s a setup and somewhere in the room they must have also hidden a gun. Harry quickly finds it under the bed. Down in the hotel lobby Harmony is just leaving as the cops arrive. She overhears that they’re headed to Harry’s room and makes a quick judgement to misdirect them to a different room. Perry shows up and they bundle up the corpse again. They can’t figure out how to get it out of the hotel, so they decide to take it up to the roof and toss it into a dumpster in an alley. They miss and the body bounces off the edge of the dumpster. Harry and Perry rush down to the alley and shove the body into the trunk of the car. Just at that moment the police drive by. Perry grabs Harry and kisses him to make it seem like they’re having a liaison. The police crack some jokes and drive off. Harmony shows up just in time to see the kiss. Harry and Perry ditch the body at a random street side location.

The next day Harry and Perry meet and Perry gives Harry two pieces of bad news: 1) He isn’t really up for a role in the film. He’s being used to demonstrate the producer’s seriousness about recasting the role so that Colin Farell will accept less money. 2) He told Harmony that he isn’t a PI and she’s pissed. Also, it turns out the body in the car was Dexter’s daughter (The one who was trying to sue Dexter for the mother’s inheritance). Harry heads to the airport to fly home.

While he’s waiting for his flight he sees Flicka and tries to chat her up, but she’s not very interested. Somehow it comes up that Harmony’s stage name is Allison Ames (the name of the woman that hired Perry) and he rushes back to Harmony’s place realising the £2000 Harmony’s sister spent was to hire Perry to investigate the case he and Harry were on when the car drove into the lake. She doesn’t want to hear it and slams the door on him, severing a joint and a half of his left ring finger. She rushes him to the hospital where it’s precariously sewn back on and lightly bandaged up. They also drug Harry up really good, so he’s pretty stoned. In a phone call with Harmony he explains the link between the two cases and leaves a message for Perry who will be at a party Harmony is working that evening. Harry heads over (High as a kite) and they find Perry – who seems disinterested and heads off to an unrelated stakeout of some girl, telling the two to behave until he returns. Harry wanders off to look at a dancer dressed like a deer, but is jumped by two thugs (A white guy, and a black one who calls himself “Mustard” – the same thugs in ski masks who appeared on the ridge after the lake crash) who beat him up and almost pull his finger off again before telling him to get out of town. Harmony and Harry rush off to the hospital to get his finger fixed again when Harmony notices that the two black and white thugs are headed towards Perry’s stakeout and insists on going to warn Perry before getting Harry’s finger fixed. Harry passes out in the back seat as Harmony parks the car and jumps out to find Perry. She’s jumped by one of the thugs, but manages to get the better of him and knock him out – unable to kill “Mustard” the thug but taking his gun.

A girl with purple hair shows up and Perry starts following her. She purposefully leads him under a bridge, the white thug driving up behind him – starting to line up in order to run Perry over. Harmony rushes to save him, dropping her gun and accidentally catching Perry’s attention – he spots the approaching car and leaps out of the way. The driver careers toward a hot dog stand destroying tables – just as Gay Perry prepares to kill the white thug as he exits the vehicle, the hot dog vendor shoots the thug down. In the chaos, the girl with purple hair runs around looking for an escape. She finds a car with the door open and the keys still in it. Of course, it’s Harmony’s car with Harry passed out in the back seat. Harmony returns to where she left the first thug, but he’s gone.

Harry wakes up the next day in the back seat of the car in a strange garage in a strange house totally confused (which must mean he got there the entire way without the purple-haired girl seeing him lying asleep in the backseat…) He walks around inside calling out but no one responds. The surviving thug shows up with the girl with purple hair, so Harry hides under a bed. He nears them talking. She’s apologizing for the foul up, but says it isn’t her fault. The thugs agrees and says a number of ominous things about how he’s going to set things up so it’s never her fault again, and then shoots her dead. Harry holds his fingers to her lips as she mutters before dying. The thug runs off to get something to wrap the body with. so Harry, in a daze, gets out from under the bed. The thug comes back and sees him. The thug starts taunting him until he realizes he’s left the gun on the bed. Harry shoots him. Harry’s finger has come off, so he puts it in some ice and calls Perry. While he’s talking to him, a dog come up and grabs the finger. Harry tries to get it back, but the dog swallows it. Harry seems resigned to its loss. He then cleans off the gun, puts the girl’s fingerprints on it so the police will think she and the thug killed eachother and leaves.

Harmony, Perry and Harry get together to wrap things up, secure in the knowledge that the whole thing was a kidnapping plot gone wrong. Perry jokes that it seems anti-climactic. No one’s been tortured yet (Foreshadowing). Harry and Harmony head up to Harry’s room. Harmony mentiones that in an attempt to save her sister’s sanity, she told her that their father wasn’t really their father. She lied that he was a famous Hollywood film star that had visited town on a “Johnny Gossamer” film shoot. They get wasted at the hotel bar. As Harmony strips in the bedroom to go to sleep, Harry is reminded how the body from the lake wasn’t wearing underwear. He offers to sleep on the couch, but they both wind up in the bed about to sleep together when Harmony says she has to admit something. The next shot is Harry throwing her out because she confessed to sleeping with his best friend in high school, the one guy he asked her not too. Harry makes sure her fingers are clear before slamming the door.

Harmony wanders off when something occurs to her. She calls Harry up and asks if the body in the trunk was raped (it wasn’t, the report came back negative). He hangs up. A little later, Perry calls Harry up and says Harmony left a message saying she had it all figured out. Perry wants to know what Harry told her. Harry racks his brain and then mentions the underwear thing. Perry seems to all of a sudden magically figure out what’s going on. Perry and Harry go to the local insane asylum, where they meet a large woman patient. They ask her to lift her robe. She does. No underwear. Perry puts it together: Dexter had hidden her daughter away in the looney bin and replaced her with a lookalike so that he could get the lawsuit dropped. But the daughter’s

Star:


Robert Downey Jr.

Val Kilmer

Michelle Monaghan

Corbin Bernsen


OR

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New Releases: Don’t Be Afraid of the Dark – (2010)

 

New Releases: Don’t Be Afraid of the Dark – (2010)

New Releases: Don't Be Afraid of the Dark - (2010)
Genre: Fantasy, Horror, Thriller,
Release Date: 2012-01-03
Duration: 99 Min
Director:

  • Troy Nixey

The movie starts off at Blackwood Manor some time ago (to the point where they use candles as lights). We see a maid dusting some books in the study when suddenly a bell rings nearby (meaning she is needed). The maid grabs a candle and walks through the dark house until she approaches a stairwell leading to the basement. She calls out for Lord Blackwood, but there is no reply. She begins to walk away when suddenly she hears him call for her. She looks down the stairwell, and we see Lord Blackwood standing in the shadows beckoning for her to come down the stairs. She begins to slowly come down without hesitation. We see Lord Blackwood constantly looking over towards an old, dark fireplace. As she reaches the middle of the stairwell, we see a tripwire has been set and she trips over it and falls down the stairs. Lord Blackwood is obviously in a frightened state, and he stands above the maid. Then he quickly mounts on top of her, and we can hear whispers coming from the fireplace. The maid screams as Lord Blackwood uses his tools to remove her teeth as she screams. We see the majority of his teeth are missing as well as he can barely speak. The maid is on the floor either passed out or dead as Lord Blackwood goes towards the fireplace with a small ashtray full of teeth. He begs to the creatures to give him his son back as he has collected teeth and offers them as a trade. However, the creatures do not accept it, and we (barely) see a swarm of the rat-like creatures attack him and pull him into the fireplace and down the hole, killing him.

Present Day. Sally Hurst (Bailee Madison) is drawing on an airplane. She is very talented but is sitting alone. She arrives at the airport, and we see her father Alex (Guy Pearce) and his new girlfriend Kim (Katie Holmes) waiting for her. Kim is obviously very nervous being the new girlfriend and we can tell that Sally and her father rarely ever spend time together. Sally hugs her father but does not seem happy at all to seem and appears very depressed for an eight-year-old girl. Kim tries to offer a teddy bear as a welcome gift and Sally hesitantly accepts it.

On the ride to Blackwood Manor, we learn a lot. Apparently Sally did not want to leave Los Angeles from her mother at all. Her mother also has her taking Ritalin. Alex hardly acknowledges that his daughter is in the backseat as he constantly brings up his business and trying to sell the Manor. Kim notices this all while riding.

Finally, they arrive to the Manor. There are people there working on it to look perfect for the open house party where they will try to sell it. One of the workers is Harris (Jack Thompson), who sort of flinches when he sees Kim and Alex arrive with Sally. Kim sees Sally go into the study from the beginning of the film and Kim goes in to try and lay some “new mother” work, so to say. She comes in and tries to befriend Sally who doesn’t seem that interested at all. She even goes so far as sliding on one of the sliding bookcases to make it seem fun. Kim also shows Sally a raven crest that her grandmother gave her when she was little. Sally replies by saying “My mother gave me to my dad” in a cold way and leaves out the study.

Sally goes upstairs where Alex shows her to her room, and Sally asks him how long she has to stay. Alex is surprised and pretty much tries to beat around the obvious; her mother abandoned her and now she has to stay with her father from now on. Sally is angry and sad and exclaims that her mother said Alex only likes Kim because she’s younger, but Sally shouts out that she looks old, which Kim overhears. Sally locks herself in the bathroom as her father asks her to come out. Kim is slightly hurt by Sally’s words but understands it’s because Sally is afraid. Sally eventually comes out and sits in her bed saying she wants to go to sleep. Alex sighs and turns on a nightlight/carousel and he and Kim leave the room.

That night, Kim and Alex are in bed, and Kim is trying to discuss ways to win Sally’s trust. Alex brushes it aside, saying she’ll grow to like her. Kim also mentions what Sally said earlier about her mom “giving” her to Alex. Alex avoids the question, and they kiss and cuddle in the bed. Sally overhears all of this because of the vents and she places a pillow over her vent and goes to sleep. Meanwhile, in the basement, we see that it is covered in dust and cobwebs, and we see the fireplace has been bolted shut, and we hear voices whispering, “Sally… her name is Sally.”

The next morning Sally is sitting on a bench while the workers are outside. She is bored, and so she spells her name on the bench with little rocks. Kim walks outside and waves at her from a distance. Sally waves back then Kim gets back to helping the workers. Then Sally hears voices whispering her name coming from a small forest/garden in the backyard. So she slips away and follows the voices through the garden. We are treated to beautiful scenery, and we see her smile for the first time as she uses a stick as a sort of staff and walks through the garden. While walking through the garden, Sally encounters a “fairy ring” of mushrooms. Then suddenly she ends up on the side of the house and sees a bunch of bushes blocking something. She moves through the bushes and sees they are covering windows. She brushes them aside and sees a basement. Suddenly Harris appears and tells her its not safe and quickly tries to lead her away. Kim and Alex show up asking about the commotion. Harris tells her to stay away from back here, and tries to lead her away but Sally protests and points, saying there are windows to a basement. Much to Harris’ obvious dismay, she proves it to Alex and Kim, and they go back into the house.

Alex grabs a hammer and begins to tear at a hollow wall in the middle of the main hall/stairwell. Kim, Harris, and Sally watch as he reveals a doorway. Kim runs to grab the master key, and they enter the basement that we saw at the beginning of the film. Sally is excited to explore the basement, and Kim is amazed at all that is down there. She mentions that they came upon a great find. Sally looks over towards the bolted fireplace, and she gets closer. She studies it and can hear the voices whispering her name. Alex and Kim tell her that it’s time to head back upstairs, and they do so.

Dinner that night, Sally does not want to eat her rice. Kim tells her that there is some apple pie if she’d prefer that. Sally again declines saying her mother doesn’t want her to eat gluten. Alex is angry and tells her that she can either eat the apple pie or go to bed. Sally slams her fork and goes up to her room. Kim shakes her head in disappointment at Alex.

That night Sally hears the voices whispering to her through the vents. They ask her to set them free and that they can be her friend. They try to coax her further by telling her that her parents don’t want her. The next morning while her father isnt paying attention and Kim is speaking to him, Sally sneaks down into the basement with a wrench to open the fireplace. After many successful tries, she knocks one of the bolts off, and as she unscrews the last one. Her father comes downstairs, and she hides the tools. She tells him that she’s been hearing voices from the fireplace. The creatures sneakily steal a skinny, sharp, metal stick, and as her father places his ear to the fireplace. They attempt to stab him, but fail. Neither Sally or Alex notices. Her father goes upstairs and tells her to come, as well. As Sally is going up, the fireplace cover falls, and the hole is exposed. She crouches down and sees the tooth tray, and she takes one of the teeth and puts it in her pocket. Her father calls her upstairs. The voices whisper “She’ll be back, they always come back.” She places the tooth under her pillow that night and goes to sleep. Alex notices his shaving blade is missing, and Kim goes to her closet to see what she’s going to wear the day of the open house, and she sees her clothes torn in pieces. Alex confronts Sally the next morning and yells at her TERRIBLY. Sally constantly says that she didn’t do it. Kim is watching from the hallway and seems to believe Sally. Alex notices Sally is gripping something in her hands and sees it is an old coin which Sally claims was under her pillow. (The creatures put it there and took the tooth)

The next day Kim and Alex are leaving to go handle some business downtown. Harris, and the cook offer to watch Sally while they are gone. While driving Kim acknowledges the fact that Alex does not seem to be paying much mind to her daughter. But back at the manor, once again Sally slips away downstairs with some raisins and crouches by the hole with a flashlight. The creatures hiss saying they hate the light and so Sally turns it off and sits some raisins on the fireplace offering them to the creatures since they are “hungry.” The creatures are about to come out when suddenly Harris rushes downstairs with a flashlight asking Sally who she’s talking to. She says nobody and he orders to go upstairs “NOW”. And she does so. Harris props his flashlight to point towards the fireplace while he goes to seal it back up. The creatures whisper to him and call him a fool. Some have already gotten out and knock over a toolbox and his flashlight. He backs away from the fireplace begging to the creatures and saying he hasn’t told them (Alex and the others) anything! The creatures, however, begin to attack, using various items from the toolbox such as boxcutter/scissors, and begin to attack and stab Harris repeatedly, but they do not kill him. The cook and Sally are standing by the stairwell and hear his screams. Harris comes upstairs, bloodied, with scissors sticking out his shoulder and he collapses.

Alex and Kim return home and see that the police are there. They enter, and the cook is crying and in shock, and tells them that Harris had an accident and is in the hospital and she tried to keep Sally from seeing but she saw it anyway. Alex speaks with the police while Kim runs out to the backyard to try and find Sally. She finds her sitting in a tree crying and offers comfort and to show Sally something. She takes Sally into a bush maze and in the center is a beautiful fountain with fish that they imported straight from Japan. Sally begins crying and tells Kim “I swear to God i didnt tear your clothes. I swear.” Kim hugs her, saying she doesn’t care about the clothes, and we see her and Sally have gotten somewhat closer.

That night, Sally is in her room, and we see the creatures are making their way underneath her bed. She awakens and grabs her flashlight from the table. We see a creature sneak under her covers. She crawls underneath with her flashlight, and as she continues underneath her covers she shines the light on the creature causing it to shriek and her to scream. She tosses her sheet off the bed and screams for her dad and he and Kim quickly enter the room and embrace her.

Alex schedules for a therapist to come speak with Sally. He does and begins to question her while they talk about her behavior. She is drawing the whole time as she talks to the therapist. He asks her what she’s seeing, and she explains that the creatures that have been talking to her are like evil fairies or gnomes. She has drawn a picture and shows the therapist. He asks what they are saying, and she tells him “that my parents don’t really love me. And that they are my friend.” The therapist tells Alex and Kim, and shows them the drawings. They conclude that the creatures are obviously imaginary. Kim seems skeptical.

The next night, Alex and Kim are going out. The cook and a few workers offer to watch Sally for the night. Sally is in her room, and decides to go down the hall to take a bath. As she goes down the hall, we can hear the creatures moving through the vents and following her. She enters the bathroom and closes the door and gets in the tub. Meanwhile, we see Kim dropped Alex off at where they needed to go and goes to visit Harris in the hospital. She tries to ask him questions about the house, and he can barely speak, but he informs Kim to, “Get…her…out.” Kim asks more questions, but Harris simply gives her instructions to go to a certain library and he gives her the index info for a certain book. She rushes to the library.

Back at the house we see Sally in the bathtub and the creatures turn off the light switch. She tries to get lower in the bathtub, and we see a creature run past the curtain.

At the library, Kim gets a librarian to lead her to the book, and he explains it was Blackwoods. He tells her of how Blackwood had a son who went missing and then days later Blackwood went missing, as well. Kim never knew this. He also begins to show her long lost pictures Blackwell drew saying Blackwell wrote that there were ancient fairies who ate bones and teeth from their victims and mainly children. He also mentions that the fairies Blackwood mentions must always take one victim so that they can make he/she one of their own. Blackwood drew pictures, and Kim thinks that they are very similar to what Sally has been drawing and the stories she has been telling. The librarian mentions there is a mural somewhere in the house Blackwood made before he died that no one has seen. Kim is shocked by all she has discovered and rushes back to get Alex and go home.

Back at home, Sally steps out of the tub and the creatures began to torment and try to attack her. She screams for help and tries to leave out by they have broken the lock on the door. She falls into the empty tub as the creatures crawl along the sides and up the curtains with sharp objects. The cook and the workers are trying to break in the door this whole time and just as we think the creatures will get Sally they break in and turn on the lights. The creatures have hidden.

Alex and Kim arrive home to the cook, who is in a frantic state once again saying Sally is in her room crying. Kim runs upstairs before Alex and sees Sally is gone. Alex mentions she may have run away because she does that a lot. Kim rushes down to the basement and notices a giant tarp covering a section of the wall in the basement. She removes it and sees the mural the librarian mentioned. It is a painting of a child being sacrificed to the creatures. Kim is stunned.

Alex and Kim drive down the road looking for Sally. Kim mentions how she talked to Harris and all that she discovered but, as usual, he fails to listen and brushes it off. They see Sally walking down the road and Alex orders her to get back in the car which she does. They go back home, and Kim and Alex are in bed. Kim awakens and sees Sally lying at the end of the bed. Kim picks her up and takes her into her bedroom with the carousel night light on. As she tucks her in and prepares to leave out Sally awakens and cries asking Kim not to leave her. Kim promises she’ll be right there with her, and they fall asleep together. However, Kim awakens in the middle of the night and we see the creatures hiding underneath the bed. Kim gets up and leaves the teddy bear next to Sally and goes back to her room. The creatures knock over the carousel night light which causes Sally to wake up. She grabs the flashlight and shines it around her room revealing the creatures screeching and running around the floor. Sally curls up and screams for help. Alex and Kim once again run into her room and turn on the light. Alex embraces Sally as she frantically tells them the creatures don’t like the light and that they want to get her. Kim notices the night light is broken and that the teddy bear is torn to shreds.

The following night it is the night of the open house. Kim is in the room with Sally as they get ready and she finds Alex’s shaving blade in Sally’s drawer. Sally claims she needs it for protection, but Kim comforts her, saying she’ll protect her and they won’t get to her. Sally mentions that they hate bright lights. Kim has an idea and gives Sally her camera (very old camera the type that flashes very bright and you have to shake the picture when it comes out). So Sally walks through the party taking pictures as guests arrive. Suddenly, she sees a small vase of flowers moving, and she hears the whispering. She gets close and can see the creature and snaps the picture, the creature freaks out and runs. Sally, excited that she has proof,

Star:


Katie Holmes

Guy Pearce

Bailee Madison

Bruce Gleeson


OR

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